Erin Pimm Photography
Glam the Dress
Saturday, 16 July 2011
Thursday, 14 July 2011
Semester 1 COMPLETE!
Here are the images on Facebook for all the world to see: http://www.facebook.com/media/set/?set=a.10150698564570456.709573.764735455&l=2fecf7a8ca
Inspirational Images - PSC Visual Diary - People, Place, Object
People
I have chosen to focus on several portrait photographers including Herb Ritts, Annie Leibovitz, Richard Avedon.
The portaits that I lean to in similarity for these are the stripped down, banal version. The connection of plainness that we have to all these figures, be they migrant workers, Old, young, famous, beauty. Their character is revealed, and we see the authentic self. This to me communicates the oneness of us all. We see ourselves simply in these images. We are all at heart - beings with emotion and expression. These images tend to be on very simple backgrounds, the glamour and facade and context taken out of the person. Brings all people to an equitable level, where they are persons not characters that they portray in every day life.
I enjoy these images for thier simplicity, raw emotion, expression(less). What you see is what you get. Averageness and equality. There is nothing special. IT IS and THEY ARE just.
Place
I heartily lean towards architectural photography. Ezra stoller who popularized Architecture for the mainstream in the 21st Century. Most major architects including, Frank Llyod Wright, Louis Khan and Kenzo Tange called up on him to immortalize thier structures.
"Stoller’s own strengths as a working photographer, devoting himself for half a century with fervor and vigor, to the achievements of others and thereby, through the very rejection of self importance, to our surprise an indebtedness, the chief enabler of our experiences of Modern architecture.” (William S Saunders)
He was able to see the formal and spatial ambitions these architects were conveying and capture them in perfect union.
Personally I enjoy the balance that he strikes with space and design. The angle of his photography would be perfectly centered to portray the geometrical and aspect designs. Impressive spaces seem calm and tranquil. I enjoy the clean, contrived, conservative, lean aesthetics and they have definitely influenced my choice of images, for all of the sections of this blog.
Object
Barbies by Muriel Clayton. I love elaborate sets and dioramas and Miniatures that are meticulously created for the purpose of the message. Loretta Lux and Tom CHambers with thier washed out lyrical photomontage images or Lori Nix with her incredible diaramas and sets. The creative work that goes into these images is hundreds of hours and an intense expensive creative process. These have greatly influenced my thematic section on our final folio of this term.
The second pervasive theme I have enjoyed in Object is partial-abstractions of objects including Edward Weston, Noah Wilson, and RamonaG. They are generally geometrically based and most a quite colorful (another concentration in my blog) and have great texture.
These items are representative of my preference for clean commercial object photography. Light boxes, or overhead lights, great reflections or not...simple clean images.
I have chosen to focus on several portrait photographers including Herb Ritts, Annie Leibovitz, Richard Avedon.
I enjoy these images for thier simplicity, raw emotion, expression(less). What you see is what you get. Averageness and equality. There is nothing special. IT IS and THEY ARE just.
Place
I heartily lean towards architectural photography. Ezra stoller who popularized Architecture for the mainstream in the 21st Century. Most major architects including, Frank Llyod Wright, Louis Khan and Kenzo Tange called up on him to immortalize thier structures.
"Stoller’s own strengths as a working photographer, devoting himself for half a century with fervor and vigor, to the achievements of others and thereby, through the very rejection of self importance, to our surprise an indebtedness, the chief enabler of our experiences of Modern architecture.” (William S Saunders)
He was able to see the formal and spatial ambitions these architects were conveying and capture them in perfect union.
Personally I enjoy the balance that he strikes with space and design. The angle of his photography would be perfectly centered to portray the geometrical and aspect designs. Impressive spaces seem calm and tranquil. I enjoy the clean, contrived, conservative, lean aesthetics and they have definitely influenced my choice of images, for all of the sections of this blog.
Object
Barbies by Muriel Clayton. I love elaborate sets and dioramas and Miniatures that are meticulously created for the purpose of the message. Loretta Lux and Tom CHambers with thier washed out lyrical photomontage images or Lori Nix with her incredible diaramas and sets. The creative work that goes into these images is hundreds of hours and an intense expensive creative process. These have greatly influenced my thematic section on our final folio of this term.
The second pervasive theme I have enjoyed in Object is partial-abstractions of objects including Edward Weston, Noah Wilson, and RamonaG. They are generally geometrically based and most a quite colorful (another concentration in my blog) and have great texture.
These items are representative of my preference for clean commercial object photography. Light boxes, or overhead lights, great reflections or not...simple clean images.
Wednesday, 13 July 2011
New Canon D5 Mark II is on its way ;)
Happy Mothers day and moving on! Took the plunge this week on Ebay and bought a Canon D5 Mark II with a 70-200mm USDM II lens. Now to find all the other stuff...tripods, flashes, cards, some more primes. Hope it gets here SOON! Im so excited!
Inspirational Images - PSC Visual Diary - Assorted Images
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| Carli Hermes- High Key Tones, Subject is beauty touched. A blank slate created by all the hands. White, Purity. Innocence |
Strong Lines and form in commercial photography.
Tim Heatherington, Vanity Fair photojournalist-filmmaker of Oscar nominated documentary Restrepo. Killed in Libya while covering the political uprising in the country.
, Wednesday, 6 July 2011
Barbie SATIRE and Mariel Clayton
We know her
Barbie is so easy to satirize because she is so well known. Americans and people around the world know who Barbie is. Because she is so easily recognized, one can simply make reference to her without having to explain.Vehicle for social criticism
Beyond being first well know, commonly satirized subjects are often controversial. There is something debatable about them. Being an American icon who is adored by many a young girl, Barbie is vulnerable to criticism. Her creators at Mattel have been criticized for creating a doll which negatively shapes young girls' images of themselves and their bodies that follow them into adulthood. Barbie's body structure is not one which is physically possible. Therefore Mattel is criticized for presenting and upholding an icon who's image is physically unnattainable. Many worry that the doll has helped create a unrealistic standard for girls and women which they cannot live up to. Not being able to be as perfect as Barbie, they argue, festers low self-esteem and self-loathing in girls.
Of course Barbie alone is not to blame. She has prospered in a society where standards like these can be found everywhere: magazines, fashion runways, television, etc. But the arguement lies in the opinion that Barbie has contributed immensely to our culture's obsession with beauty. At the heart of this arguement is that she defines beauty as being white. Although Mattel has made an attempt to address diversity in their development of new, more ethnically diverse products, the blond, blue-eyed, leggy, perky breasted model remains the central figure. When we think of Barbie it isn't the sold for a limited time only Native American Barbie that comes to mind. Blond, white Barbie remains Mattel's best-seller by far. 
It is the way we have seen the Barbie image perpetuate itself in our society that concerns people most. Pamela Anderson's bleach blond hair and breast implants (oh wait, we can't forget Jenny McCarthy) attest to an ideal which girls see not only in TV personalities, but most importantly in their favorite doll. Not only has Barbie come to represent a body ideal, but also an empty head. It is almost unbelievable that Mattel made a talking Barbie which spouted phrases like Math is Hard. The message such a doll gives to girls cannot be one of intelligence. It is all of these fears and concerns which lead those who recognize and accept them as valid arguements to satirize Barbie.
Many who make fun of the doll are doing so in an attempt to raise these issues, making their concerns part of the public's conciousness. They take the doll and turn her into a teaching tool. Using satire is an effective means of getting people to pay attention to serious concerns. Browsing through the satirical Barbie sites is first of all funny. But while you're doing so it becomes apparent what purpose making fun of her is holding for the author. Satirists' mock imitations of Barbie can serve many functions, but primarily they are a way to present those things which are believed to be lacking from Barbie's image. For example, the image to the left (view larger) is a well-known satire of Barbie. Erica Rand gives an explaination of this image's purpose in her book Barbie's Queer Accessories:
In the interest of making Barbie look wholesome, Mattel makes silence about sex the rule and doesn't give its teens condoms for the same reason that most school boards don't: to avoid appearing to have authored or authorized sexual activity. AIDS Barbie addresses the consequences of maintaining that nice girls don't use condoms by paradying Mattel's theme-with-variations trope. It shows three AIDS Barbies, each accessorized with different complications far beyond those Barbie ever appears to contemplate- And she thought that math class was tough!This is only one area of criticism which AIDS Barbie is speaking to, but more generally, this example shows how satire can be used to address serious issues.
(http://courses.washington.edu/englhtml/cgi-bin/wget-1.5.3/students.washington.edu/abercrom/satire/agarrick/why.html)
Mariel Clayton is doll hero...i started a series almost a year ago that was Barbie kinda outta place, grew darker and into some S&M. Now i want to focus on the Barbie Satire. Politically incorrect and funny...
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